Mvara S.S. (Arua) Lyrics

Lyrics for these songs were created by the talented REGINA DRICIRU.

"Stop Child Sacrifice in Africa" is a Cry by the Mvara S.S. Music Class calling on all evil people to end their practice of Human Sacrifice. On Sunday 11th October 2009, a six month old Maracha baby was kidnapped (from Christ the King Church, Arua) by Lucky A. The baby's eight year old caretaker had been duped by the 23 year old Alur. The reason for his kidnap was not clear but most probably thought he had been sacrificed and many people gathered near a haunted point on River Enyau only for a big heinous looking snake to come out after some self confessed prophetess claimed that she could show where the kid was. Some doubted her after the hoax. However, when Lucky was caught in Nebbi less than two weeks later trying to bury a corpse that happened to be the kidnapped baby, it was discovered that she had wanted to make peace by showing this baby to her former lover whose baby she had earlier aborted in order to move out with another man. Everything did not work out the way she planned, and even when she escaped after her first arrest, she was recaught. The only time she got lucky, like her first name suggests, was when Arua dwellers tried to stone the car transporting her to court. Police sprayed tear gas to disperse rioters though one stone thrower near the Red Cross Roundabout managed to break a windscreen on the Patrol Van whisking her away. She had ignorantly fed this baby with juice and maybe caused its death unintentionally but killing her first baby wasn't the way to get what she wanted. Am not a lawyer but I feel abortion should be categorised in the same groups as witchcraft, murder or child sacrifice. This song by Mvara S.S. was produced a number of months before the Lucky A. saga but it speaks a lot to all those with similar intentions. It's GOD who takes care of kids so if you conceive one, never let the thought cross your mind that you won't be able to care for them. Even if you die, GOD forbid, they can live on.

[MAN SPEAKING:]
Watch out X2
You, who slaughter children for wealth
You, whose hands are dripping with children's blood.
The long arm of the law will soon catch up with you
Soon, your evil deeds will follow you to your grave
Enough is enough, listen!

[LONG CHORUS:]
Eya, children crying in Africa
Mama weh, children crying in Africa [BABY CRYING:]
Children crying in Africa
Eya, orphans crying in Africa
Mama weh, orphans crying in Africa [BABY CRYING:]
Orphans crying in Africa
Eya, mothers weeping in Africa
Walele, mothers weeping in Africa [WOMAN WAILING:]
Mothers weeping in Africa
Eya, kidnapping in Africa
Mama weh, kidnapping in Africa,
Kidnapping in Africa
(Eya, child sacrifice in Africa X2)
Mama weh, child sacrifice in Africa,
Child sacrifice in Africa-aaa.

[BRIDGE:]
Why, why do you kidnap these innocent children? X2
Why, why do you sacrifice these innocent children? X2
Oh no X2 (the Quest for wealth)
Oh why, (for political support)
Oh why, oh why, (to get social status)
Oh why (to appease business gods)

[INSTRUMENTAL: (Jomic Productions)]

[HOOK:]
Political leaders, stop child sacrifice in Africa! X2
Religious leaders, stop child sacrifice in Africa! X2
Witchdoctors, stop child sacrifice in Africa! X2
Everybody, stop child sacrifice in Africa! X2
We pray to YHWH to stop child sacrifice in Africa. X2 aaa

[INSTRUMENTAL till fade:]

"6th of June" by MVARA SECONDARY SCHOOL is a fantastically upbeat reunion song to groove to even if you have never studied in this classy Arua school. Their motto says, "Be Sensible and Responsible" en there is a lot of sense in this song.

[GIRL SPEAKING:]
This is a day of reunion with the Old Students of Mvara S.S
Old Students oyeh, (oyeh eh)
OGs oyeh, (oyeh eh)
OBs oyeh, (oyeh eh)
Ayeeeee, yeeeee

[CHORUS:]
6th of June, 2009. Is a day of, reunion. X2
With the Old Students, of Mvara. X4

[VERSE ONE:]
Mvara Old Students, you're most welcome!
Mvara Old Students, you're welcome home! X2
We look forward to reawakening, the academic excellency of Mvara. X2

[CHORUS en INSTRUMENTAL:]

[VERSE TWO:]
We thank the Chairperson of MOSA,
And the Old Students for this great day. X2
We welcome all the, Good Ideas
We are ready to, Share with you. X2

[CHORUS en INSTRUMENTAL:]

[VERSE THREE:]
Mvara Students are sensible,
Mvara Students are responsible X2
Mvara Teachers are hardworking,
Mvara Teachers are devoted. X2

[CHORUS en INSTRUMENTAL till fade:]

The third collection of lyrics in this Mvara S.S. Bouquet is a song complimenting the Headmaster Iziyo Tata Aggrey's achievements. It's so reverently melodic en simple that you may want to copy the great headteacher.

[GIRL SPEAKING:]
This is a special dedication to the Headmaster, the staff en the students of Mvara S.S.
Long live the headmaster Iziyo Tata Aggrey [CLAPPING en ULULATING:]

[CHORUS:]
The Headmaster of Mvara is a man in a thousand years.
If you think am lying, copy Mvara en get the shock of your life

[VERSE ONE (FEMALE VOICE):]
They brought a brand new bus, an impossible one
You can't measure to his standard
If you think am lying, copy Mvara en get the shock of your life

[CHORUS:]

[VERSE TWO (MALE VOICE):]
We give glory en honour to Almighty GOD, yes
HE's the brain behind all this success
Glory en honour to YOU!

[CHORUS:]

[VERSE THREE (FEMALE VOICE):]
We thank the teachers, board of governors, parents en students
For initiating such a brilliant idea
Glory en honour to GOD!

[CHORUS:]

[VERSE FOUR (MALE VOICE):]
Your ability to purchase a bus is praiseworthy
We are proud of you, our HM, Iziyo Tata Aggrey

[CHORUS:]

[VERSE FIVE (FEMALE VOICE):]
It's always wise to copy something good from a neighbour
You can copy from him, the HM Mvara: Iziyo Tata Aggrey

[CHORUS:]

[VERSE SIX (MALE VOICE):]
Many headteachers have done well but you excel them all
you're the one to start en others follow.
Dream of an aeroplane now!

[HOOK:]
Dream of an aeroplane now! X2

[INSTRUMENTAL till fade:]

Culture can end Wars and make Long-lasting Peace...

According to John Godo, a UPC champion in Arua (His office is about 200 metres beyond Kamure Park on the down town Adumi Road), culture is defined as "a way of life of a given society especially the general customs and beliefs of a people at a time and place. It is the only birthmark that identifies us by tribe as Baganda, Bateso and Banyankole. It describes Ugandan unity. A nation without cultural heritage is not worth a national status. In the past, the economic institution revolved around family, clan and the traditional leader."
Ugandan Senior Citizen Godo revealed that the peace in the Arua District area was actually "brought by Lugbara elders who called the four groups of rebels to lay down arms." These groups included West Nile Bank Front (led by Ali Bamuze who is now a Lieutenant General in the UPDF national Army), FUNA (Former Ugandan Army), Rescue 1 and 2.
Culture preserves oral literature, social norms, traditional knowledge, enhances creativity, disseminates information, cements social cohesion and a means of expression. All its forms of diversity should be encouraged. Culture is better understood through education and helps youth grow in orderly stages with a sound and social moral entity. They stay awake till late in the night listening to old men's tales while drinking hot water. (My dada once informed me that hot water without sugar was named 'ibede' during Amin and Obote's regimes because during functions, hot water would be left in a saucepan for people to fetch and drink with cups. "Ibe di" is a call telling people to fetch or scoop something.) Discipline and respect were emphasised around fires through stories and riddles, proverbs. These were called informal education. Although cultures differ, societies share a common training system to create ideal individuals who would fit in their community and be accepted. This education teaches young boys and girls as expected in society. It wasn't around discipline alone but catered for the mind, cultural taboos, dos and don'ts in society, clans and tribes plus technical skills for instance Okebu were iron workers, Buddu in Buganda were bark cloth makers. Those who mastered their skills well were regarded as High Class. They were elected as legislators to discuss wars, peace and conflicts. This skill produced an expert fighter called Embawu like Museveni (President of Uganda since 26th January 1986, he was born around 15th March 1944).
Culture can be understood through Civilisation. Changed Society can only be explained through Performing Arts (Music, Dance and Drama); Musicians are known as advisers. It's a means of keeping history.
Wars can be overcome through dances and drama like the Acholi and Madi have war dances that reveal history. Peace can be brought through culture for example in 1980, there was a war in the Soroti area. The Teso came up with a means of stopping the war. A Professor wrote a play whose Teso title is translated as "What Do We Do?" acted by Makerere University Kampala students. The rebels and government forces came together to enjoy the play.

Burning Charcoal

In the Western world, people use electricity or gas for cooking but what do the Lugbara use for preparing their delicious delicacies? In the ancient times (and up to today in some traditional homes), firewood was a must. Three stones would serve as container holders and the burning wood would be placed inbetween. Creative constructors built clay stoves attached to their huts. So women and children had the task of searching far and wide for enough firewood in case there weren't enough trees in the neighbourhood. Some risked their lives to search in dangerous forests and areas. As time passed though, other sources of cooking fire were introduced including the durable charcoal. It is like preserved firewood and as black as coal though some break easily. The last time I had seen the method of charcoal burning was way back in the early 90s and it was on TV. Some South Americans were doing something I thought they do not do yet you might find this science probably originated from areas with lots of wood like the Amazon and thereabout. Anyway, the first time I saw it in the real world and even got involved happened in September 2009. Why did it take me so long? You have to make sure that you do not use fuel or oil because the wood may burn up completely. Teak is preferred by some Lugbara. A fire is lit on a metal board, base branches placed around it and wood meant for producing charcoal placed on it. The wood is then covered with soil to make it burn slowly and prevent it from burning up. When the soil creates a depression, more soil should be added to maintain the quality. Then after the soil is turned out after three days (Most recommended though Amayo says it depends on the type of wood burnt). Earth soil may be placed on top of the black blocks to cool them down. When lighting a stove, some Lugbara place groundnut pods below the charcoal to accelerate the firing up of the mass. This is very innovative because, instead of burning the pods as rubbish, they are utilised in the stove.

Only in Africa/ The Lords of Arua Streets

In 2003, a New Vision newspaper writer described Arua Town as a place where you are more likely to get knocked by a bicycle or wheelbarrow (because of the many high rise constructions going on) than a car. Of course there are many cars (In fact, from Uganda, Congo, Sudan and other countries) but their speeds are wonderfully moderated in the busy town centre by the innumerable bicycles and pedestrians. The Most Recent Phenomenon on Arua streets though has been the strong and fast Senke motorbikes, many of which are used to ferry goods or passengers. A friend from Soroti, Eastern Uganda was irked one night when an approaching Senke cyclist switched on his left indicator but didn't turn. If my friend had moved to the opposite side of the light instead of standing still, they would have collided. Other times, the riders look behind (probably marvelling at a mullato - light skinned woman - who has just passed them) and if they narrowly dodge an accident with you moments later, they abuse you instead of apologising. Some visitors even wonder if "smashers" (Nickname for "Marijuana Smokers" in Arua) are allowed to ride. Not all bikers smoke bamboo pipes but you might put question marks on the reckless ones. Go to a video hall and you may find almost just about anybody including women and young kids with "mairunji" weed which is a big cash crop in Arua. The MP (Member of Parliament) from Maracha once amused his fellow parliamentarians when he said that Marijuana (Ganja) should not be abolished, "Over 10,000 people in West Nile export it to Congo and Sudan." During one food crisis, they had no money made from crop growing, so they resorted to selling marijuana.

In a different mode though, Senke riders are connected to another interesting spectacle on Arua streets. Have you ever seen petrol stations that run as fast as Usain Bolt and John Akii Bua rolled in one or thereabout like Lugbara Thunder or Ovi (Lightning)? Trust me, one day while walking on the corner of an Arua street, you may get scared when you see a determined youth running towards you with a mineral water bottle containing petrol. If you are really timid, you may turn and also run for your life ahead of him. But he ain't after your life nor purse, beautiful lady. Stand still and you will see him bypass you, woooh, that was close. He will suddenly stop near a waiting Senke motorbike (with the rider's passenger at the back) and pour petrol (like an uptown filling station) into the oil cylinder through a cut bottle as a makeshift sieve. These Arua Boys remind you of the prosperous entrepreneural businessmen in Arua popularly known worldwide as "OPEC Boys". Though regarded as smugglers in the 1980s and 90s, some of them have legitimate businesses today. For more information, try asking the Arua Boys Society (Box 84 Arua, Uganda) located somewhere on Ociba Road after the T-Junction with Hospital Road.

There is another compelling thing about life on Arua streets: as long as you mind your business or trade honest and fair, no right thinking person is expected to blame you. Nevertheless, some may get jealous, so if some envious idler steps up while you are walking on the street and drops a wallet infront of you, don't listen to whoever follows behind you telling you that you should share the money in it. These are tricksters playing out something called "Kiwani" in Luganda, the same conning technique that inspired Bobi Wine's hit with the same title. They may let you have their fake notes and ask you to offer them your legitimate money as change. You can only become their victim if they are lucky in a town where counterfeits are taboo. One evening, an unlucky man got beaten to near death when he tried to con a certain business owner with fake dollars. He was left for dead on Arua Avenue with oozed blood drying near his mouth. Me and some Senke riders had to lift him to the sidewalk amidst flashes from a Red Pepper journalist's camera.

The Pain-bending Ragem Beach

Where can a stressed Lugbara relax his mind? When I first heard about Ragem Beach on River Enyau just over 3 Kms from Arua Town (on the Nebbi Road) sometime at the beginning of the millenium, I thought it was impossible since there was no mapped lake or ocean in the near area. If this beach was really as good as residents claimed, then maybe it was just small but suited for their liking. Definitely, there can't be a distant horizon of water here to let your painful thoughts and agonising experiences sail into oblivion like magic but walking in this mysteriously canopied rivershed can trap them for you. The longest (River Nile) tributary in the West Nile area is River Enyau which you also cross while approaching Ediofe (Name coined because of the many broad leafed and black seeded 'Edio' trees common in the area; 'Fe' means tree). Enyau starts somewhere further south and at Ragem it forms one of the Most Amazing and Unique Sceneries you will ever witness in West Nile. The place is so peacefully hidden that it might not draw attention but when you get there, your mind will take a trip far away from the hustle and bustle of town life characterised by tiresome board meetings, changing car gears, signing papers, photocopying and the noise from generators plus Senke motorbikes. I took a walk to that "beach" on Wednesday 11th November 2009 with a cousin who had just finished his Senior Four UCE exams the previous week and was amazed at how mindbending the river meanders were, things I only read about in Geography textbooks a decade ago. It's not really a sand beach as you might expect but in its own way, it refreshingly brings you close to one of the Elements of Nature, which is Water. When viewed from the north, the Ragem meanders form a shape like the numbers 2 and 5 stretched plus joined together but with rounded bends. This seems like a good place for Christians and others to break bread (you know, like Jesus and the 2 fish plus 5 loaves). There are grass thatched 'payotts' on the banks, big trees, floating roots, several trees forming canopies (that remind you of the beastly River Ruzizi in Burundi or the Amazonic forests in Mel Gibson's exciting movie "Apocalypto") plus three bridges to cross over the meanders though only one seemed to have good side barriers. The sound of water rolling and falling downstream near the most visible starting point of the beach is so refreshing that it reminds you of Adriko's Sunshine Mineral Water or Wavah Water. There is also a dangerous slope on the East End, the deepest as you approach the watershed. On the upper side is a garden where you can relax (like at the Source of the Nile while you watch the Nile in Jinja, the Adventure Capital of East Africa). There is also a building that used to be a bar and restaurant but was unfortunately stripped of its windows. The inspiring artwork on the southern end was also vandalised. You can see that it used to be really wonderful but now is "Not Functioning" until an investor comes and resuscitates the business here. Ragem Beach is a very fine recreation ground that can accommodate picnics, parties and other celebrations. Located about half a kilometre from CEFORD Arua and a few metres after the Ragem Technical Institute signpost, you turn right and cut in about 200 metres. No beer was allowed from outside, refreshment was catered for by the management. From Monday to Thursday, entrance fee used to be 300 UgX, Beer 1,500 UgX and Soda 700 UgX while Friday to Sunday, children would enter for 200 Ugx while adults part with 500 UgX. If this place is redeveloped along with Rhino Camp County banks of the Nile or the resort beach in Chilua or Chilo (Terego), West Nilers can have an alternative for sand beaches they visit elsewhere.

Will the Real Scientists Please Stand Up, Please Stand Up!

Science is the Art of Things, that's my simple understanding of the word as a Graphics Artist. Besides that though, I know that it includes observations and tests in Technology, Medicine plus Agriculture. Many Lugbara are actually involved in these fields from those working for Sugar Companies (in Kakira, Jinja; Lugazi, Mukono plus Kinyara, Masindi); Airlines as Pilots, Telecommunication Companies and Arua Garages to doctors at Mulago Hospital (the Biggest in Uganda) and around the world. The first Ugandan Blood Specialist at Mulago (Died in 2009, Rest In Peace!) was actually from Vurra, Western Arua (Also the Birthplace of Dorcus Inzikuru who must have applied a lot of Science in Athletic Training to achieve unprecedented success for her country).
Sometimes people wonder why there is only one local free-to-air TV station in the Arua area. Is it because of a UCC (Uganda Communications Commission) restriction or inadequate resources? In addition to BTN TV whose transmitter in Anyafio Village (one plot North of the four storeyed Anyafio Model School) is sometimes affected by lightning, there is only WBS (Wavah Broadcasting Service) from Kampala - 530 Kilometres away - whose signals also need an external antenna. Amazingly, the Ombaci Earth Satellite Station, northeast of Arua Town, which WBS uses was the very first in Uganda, set up by homeboy Idi Amin Dada in 1978, a year before he was overthrown. As a consequence, many locals wish that the Government would at least direct the national broadcaster UBC (Uganda Broadcasting Corporation) to be aired in West Nile even though it can be accessed on the Pay per Month DStv (Digital Satellite).

Around 2003, during my Senior Six Vacation and First Year on Campus, I spent either one week or about one month reading a Pure Mathematics Book and Technical Drawing Publication in order to understand the Mechanical Physics of a "Parabola", the standard shape for a Satellite Dish that ensures maximum convergence of reflected electromagnetic signals. I jotted down measurements and made my mini-dish (less than 30 cm in diameter) using wires. I shouldn't have used rubber straps to join the wires because they get holes and rapture after some days. The objective of this experiment was to discern any TV signals within Uganda and from neighbouring Congo plus Sudan. Unfortunately, I was not successful maybe because I did not make an amplifier or decoder to make sense of the signals converged. However, I did not end there. I tried the dish on a radio and one night, I was able to recognise unbelievable stations loud and clear from far and wide on the FM Band (from Capital Radio in Nairobi, Kiss 100 Kenya, Star FM (affiliate of UBC), Top Radio (in Kampala and Masindi) to Capital FM Kampala, my favourite then plus others I do not remember. You couldn't hear them in Arua using a normal aerial). I did not believe my ears so I woke myself up from the impossible Dream during the day by dismantling the dish to make a bigger and stronger one but school life had to go on so I forgot about the remake. Maybe someone else has tried this out before, please let me know which stations you heard! Flashback: During Primary Seven (1996), a classmate of mine called Mukalazi (a Muganda) made a helicopter that could carry two passengers over a distance in the air. During my O' Level (1997 - 2000), some schoolmates in HSC (Higher School Certificate) made a machine that spits out Orbit Chewing Gum when you drop in a coin. In A' Level (2001 - 2), some of my Senior Six yearmates studying a Science combination created a radio transmitter and let me listen in on the other side of their classroom. After witnessing those experiments and others, I believed anything is possible in Africa. If your heart is filled with Faith, then you can't fear. Let GOD deal with your designs. BBC Radio in October 2009 reported that some innovators started mass producing small radio stations recently. They are actually only 18 Kilos heavy and each station can be carried as a briefcase. They are now marketing them around the world. Imagine the refreshing Arua One or the world class Radio Pacis in a briefcase, isn't that incredible? Science and Technology is very liberating indeed. A young man from Malawi once made a Windmill after reading a book in an American sponsored Library and got noticed by some foreigners who saw his machine outside the compound where he was staying despite the fact that some locals regarded him as a mad person. He is now studying on Scholarship in America.

Internet Connectivity is the next frontier for inventiveness. Maybe a brain in Bweyale, Mid West Uganda could shockingly come up with a bright idea to change the way we surf. Okay Hajji Ibrahim, that may be a wild thought before Ramathan but we need to keep looking. With Uganda now connected to SEACOM's fibre-optic intercontinental undersea cable, surfing rates are bound to reduce and bring about a "Bypass to Prosperity" because of increased speeds. Mobile phones changed our world, but the internet is a Resource that has the Potential to bypass that. Today in Arua, you can surf the internet in a cafe at 40(or even 20)UgX per minute (Around 2001, it was 500 UgX per Minute). Others use a small modem (about 8 cm long) from MTN, Warid or UTL unlike in the 1990s where you needed a big dish or big antenna. Things keep getting better as Science tests facts, laws and observations. So, if you are doing anything Scientific or even Artistic, then just keep improving and doing your thing! Say no more!

CHRIST THE KING NURSERY Lyrics

"Education" is a very educative song by CHRIST THE KING KINDERGARTEN ARUA. These kids sang a masterpiece that warns that if you do not study, you may come out a Thief, Gangster, Prostitute or Drunkard en the Police will catch you. This Children's Garden or Nursery as some prefer to call them is found behind the Catholic Centre which is on Arua Avenue, opposite the Arua Local Government and adjacent to the Arua Mental Hospital.

[CHORUS]
Education education. Onita amani ri. Ama mu drile, amama koko! Ama mu drile amama koko!
Education education. Onita amani ri. Ama mu drile, amama koko!

[VERSE ONE]
Ika mini oni ku, mi nga fu oguo ru.
Polisi'i ngonde, mi'i 'bi zu X2
Ama mu drile, amama koko!

[CHORUS]

[VERSE TWO]
Ika mini oni ku, mi nga fu muyaye ru.
Polisi'i ngonde, mi'i 'bi zu X2
Ama mu drile, amama koko!

[CHORUS]

[VERSE THREE]
Ika mini oni ku, mi nga fu malaya ru.
Polisi'i ngonde, mi'i 'bi zu X2
Ama mu drile, amama koko!

[CHORUS]

[VERSE FOUR]
Ika mini oni ku, mi nga fu mulevi ru.
Polisi'i ngonde, mi'i 'bi zu X2
Ama mu drile, amama koko!

[CHORUS]

[BRIDGE]
Mi ovu Chandi si, Evo ma e'yo si.
Silimu 'di ama 'de 'bo, ifu ago ku iselia si.

[CHORUS]

"Onita" is another educative song for the young ones courtesy of CHRIST THE KING NURSERY, ARUA. 'Onita' is the Lugbara word for 'Learning'. In this jam, they poke listeners with some sarcasm, "If education is expensive, then preferably choose ignorance!"

[CHORUS]
Onita ka ovu ajeru, cika ipe aniako ni
'Ba ma la, 'ba ma nya a'di vu, drile 'ba isuzu

[VERSE ONE]
Aka ma sukulu la 'bo, ale mani fu doctor ru.
Aka ma sukulu la 'bo, ale mani fu doctor ru. Onita

[CHORUS]

[VERSE TWO]
Aka ma sukulu la 'bo, ale mani fu polisi ru.
Aka ma sukulu la 'bo, ale mani fu polisi ru. Onita

[CHORUS]

[VERSE THREE]
Aka ma skulu la 'bo, ale mani fu nurse ru.
Aka ma skulu la 'bo, ale mani fu nurse ru. Onita

[CHORUS]

[VERSE FOUR]
Aka ma sukulu la 'bo, ale mani fu karani ru.
Aka ma sukulu la 'bo, ale mani fu karani ru. Onita

[INSTRUMENTAL]

[VERSE FIVE]
Aka ma sukulu la 'bo, ale mani fu askari ru.
Aka ma sukulu la 'bo, ale mani fu askari ru. Onita

[CHORUS]

[VERSE SIX]
Aka ma sukulu la 'bo, ale mani fu imbapi ru.
Aka ma sukulu la 'bo, ale mani fu imbapi ru. Onita

[CHORUS]

[VERSE SEVEN]
Aka ma sukulu la 'bo, ale mani fu padre ru.
Aka ma sukulu la 'bo, ale mani fu padre ru. Onita

[INSTRUMENTAL OUTRO]

The 2010 Lugbara Culture Dialogue

John Middleton, Born 1921, Died 2009 (Rest In Peace)

ISARA MEMORIAL CULTURAL AND COMMUNITY LIBRARY LIMITED [IMCCL] presents: The 2010 LUGBARA CULTURE DIALOGUE

1. Theme: “Preserving the Legacy of Lugbara Culture, History and Identity to Promote Development and Enhance Unity among the Lugbara People”

2. Venue: EKARAKAFE CATHOLIC MISSION HALL in Ezuku, about 2 KM away from Vurra Customs Border Post that is near Congo

3. Date: Friday 12th February 2010

4. GUEST SPEAKERS:
Main speaker: JOHN MIDDLETON (unfortunately died early 2009. May his Soul Rest in Peace. He was 87 Years old and had studied and written majorly about five African cultures namely the Lugbara of Uganda en Eastern Zaire, Igbo plus Lagosians of Nigeria, Akan of Ghana, Swahili of Kenya en the Shirazi of the Zanzibar Protectorate. A family member could be invited to represent him.

Moderator: Livingston Obba

Other speakers:
Rt. Rev. Joel Obetia
Dr. Erick Adriko
Vurra County Community Development Officer
Alaka and Moses Adriko
Vurra Chief Elder
Mr. Abiria Jackson
Mr Amatre Jimmy
Mr. Nyati Elkana
Rev. Lameck Wadia
Dr. Sam Okuonzi

5. Guest of Honor: Hon. Simon Ejua

6. Invited Guests:
a. RELIGIOUS LEADERS:
Catholic
Protestants
Islam
Methodist
Elim Pentecostal
Full Gospel Church
Others

b. SCHOOLS:
History Teachers from Primary Schools in Vurra County
and the Head of History Department in National
Teachers College (NTC), Muni

Students from Vurra SS, Okufura SS, Arivu SS, Anyavu
SS, Logiri Girls SS, Nile College, Ocoko Girls SS, Ajia SS,
Muni Girls SS, NTC Muni

c. ELDERS:
Ten Elders selected from the following areas:
Arivu, Ajia, Logiri, Upper Vurra, Ayivu County, Terego,
Maracha, Koboko, Madi, Aringa and Democratic
Republic of (CongoDRC)

d. Ten Politicians (with various Political Leanings) from
Arua District

e. Journalists

f. Others to make a total of about 150 Participants


TENTATIVE PROGRAM
(Arrival at 9.00 AM):

1. (10.00 AM - 10.45 AM) ‘Profile of Lugbara: Overview/Facts/Leadership’ By Mr. ABIRIA Jackson

2. (11.00 AM - 12.00 PM) ‘The Culture, History and Identity of Lugbara’ By Opi OYAA Nahory/ John MIDDLETON was supposed to talk on this topic but unfortunately passed away in early 2009. May his Soul Rest in Peace!

3. (12.00 PM - 12.30 PM) ‘The Role of Cultural Library in Community Development’ By CDO

4. (12.30 PM - 1.00 PM) ‘Difference between a Library, a Museum, and a Community Centre’ By Mr. AMATRE Jimmy/ Mr. NYATI Elkana

5. (2.00 PM - 2.30 PM) ‘Using Culture as a Medium for Development’ By Sam OKUONZI

6. (2.30 PM - 3.00 PM) ‘When Does the Cultural Values, Norms, and Superstition apply in Conflict Resolution’ By ALAKA/ Moses ADRIKO

7. (3.00 PM - 4.00 PM) ‘The Relationship between Lugbara Traditional Religion, and Western or Eastern Religious Doctrines' By Rt. Rev. Joel OBETIA, Bishop of Madi and West Nile Diocese

8. (4.00 PM - 4.30 PM) ‘How can Lugbara Preserve their Identity?’ By Mr. AYIKOBUA Edward

9. (4.30 PM) Conclusion By the Guest of Honour, Hon. Simon EJUA, Minister of Transport and Member of Parliament for Vurra Constituency

DEPARTURE: 5.00 PM

(Any Changes in the Programme will be communicated) GOD Bless!

Drawn by CHARLES K. BUA, Coordinator/Director IMCCL Ltd (08/08/2009) and Edited by Aiko

In Memoriam: Renowned Africanist Scholar John Middleton
Published: March 27, 2009

New Haven, Conn. — John Middleton, Professor Emeritus of Anthropology and an internationally renowned Africanist Scholar, died on February 27th 2009 after a brief hospitalization. He was 87 years old. Middleton's field work and major ethnographic writings on African cultures forged new anthropological perspectives on their political and social structures. He conducted five major field studies in Africa: among the Lugbara of Uganda and Zaire; the Igbo and Lagosians of Nigeria; the Akan of Ghana; the Swahili of Kenya; and the Shirazi of the Zanzibar Protectorate. Out of this research came three classic studies: "Tribes Without Rulers" (co-edited with David Tait, 1958), which offered insights into the structure and functioning of tribes not subject to a unified political power; "Lugbara Religion" (1960), which explored how belief systems can be — and have been — manipulated for political reasons; and "From Tribe to Nation in Africa" (co-edited with Ronald Cohen, 1970), which dealt with the gap between the state and society in that continent caused by colonialism and perpetuated into modern times. The latter volume became a standard textbook used in courses on Africa and political studies. He also authored and edited well over 100 other articles and books. In a 1999 interview in the journal Current Anthropology, Middleton noted that one of the most important things he learned doing fieldwork was "you can do utterly nothing without people telling you what they want to tell you. And they decide how to do it, as the leading partners in a joint task of learning, as when they decided to tell me the myths of origin. You see, I would sit on the great rock near my house and ask people, ‘Who lives there? Who lives there?' because you could see the landscape laid out in front of you — you could see 100 miles with thousands of little villages. And they'd say, ‘Well, now you've got to learn how we came here.' And everybody started telling me myths. People tell you what they want you to learn."

Born in London, England, in 1921, Middleton received his B.A. in English from the University of London in 1941. He was called up for service in the fall of that year, and, after receiving officer training, was sent to East Africa to serve in an infantry battalion in the colonial army there. In fact, Middleton recalled in his Current Anthropology interview, "I first saw Africa from the deck of a troop-ship in Freetown Harbour, in Sierra Leone, one day in late 1942. It was during a lightning storm, and we had to remain on board looking at the green hills around the city through dismal curtains of rain, while sweating from the humidity." He told the interviewer that his experiences in Africa definitely influenced his field of study. "Had I gone to Malaysia, I might have ended up studying Southeast Asian societies."

After the war, Middleton received his B.Sc. and Ph.D. in Social Anthropology from the University of Oxford in 1949 and 1953 respectively. He held several positions before coming to Yale in 1981: Lecturer of Anthropology at the University of London 1953-1954 and 1956-1963; Senior Lecturer in Social Anthropology at the University of Capetown 1954-1955 and at Rhodes University 1955-1956; Professor of Anthropology at Northwestern University 1963-1966 and at New York University 1966-1972; and Professor of Anthropology at the University of London, 1972-1981. At Yale, Middleton chaired the Department of Anthropology 1983-1986 and the Council on African Studies 1983-1988. He received a joint appointment in Religious Studies in 1987. He retired from Yale in 1991, but continued to remain active at the University and continued to do research and publish.

Middleton served as the acting co-director of the International African Institute 1973-1974 and 1980-1981, and served as Editor of the institute's Journal Africa 1972-1979. He received the institute's Gold Medal for Service to African Studies in 1979. He was president of the then-new Association for Political and Legal Anthropology 1983-1985.
He was a fellow of the Royal Anthropological Institute, the American Anthropological Association and the Association of African Studies. He was also a member of the American Society for the Study of Religon and the Association of Social Anthropologists of the Commonwealth.

Middleton is survived by his wife, Michelle Gilbert; his daughter, Jane Middleton; and his grandaughter, DeeDee Middleton.

OLE (Witchcraft in the Heart)

'Ole' means indignation, envy or annoyance at sinful behaviour. Invocation of ghosts is done by a living person, typically an elder; but anyone whose father was dead might do so. He sat near his shrines in his compound and thought about the sinner's behaviour. His thoughts were known by the ghosts and they then sent sicknessto the offender. It was said "he thinks these words in his heart", he did not threaten or curse the offender. For a senior man to do this was part of his expected role. It was part of his 'work' to 'cleanse the lineage home'. Indeed, an elder who did not do so when justified would have been lacking in sense of duty towards his lineage. A man might invoke the dead to send sickness against any member of his family cluster and his minimal lineage, whether living in the family cluster's compounds or not. Within the family cluster were included lineage members, their wives and attached kin such as sister's sons. A man was thought not to invoke against sister's sons living elsewhere: to discipline them was the duty of their own elders where they lived... A living man was thought to invoke the dead because he felt the sentiment of indignation over sin...

There were various forms of witches. Some, the most common, walked at night, often in the guise of a rat or other night animal, or as a moving light; others walked about and defecated blood in their victim's compound. In the morning the victim would wake up aching and sick and might die unless the witch removed his witchcraft. Lugbara people understood that a witch's motive was 'ole' which meant that anyone could be a witch. It was said that a man felt envy at seeing others eat rich food when he had nothing, at seeing other men dancing and admired by women while he stood alone, or at seeing other men surrounded by kin and children when he had none of his own. But the sentiment of 'ole' was more than mere envy. It was resentment at failing to achieve selfish personal ambition. In Lugbara Culture, high status and prestige were traditionally acquired only or almost only through position in the lineage and by age, the two usually going together.

(Excerpt from "The Lugbara of Uganda" by John MIDDLETON)

A Short History of the Lugbara (Madi) by Lulua Odu 1996

The foreword of this book is written by Jason Avutia (The Chairman of LULA and an Elder), preface is by Lulua Odu 24th August 1996 Arua, West Nile. Born in 1947, Lulua Odu is a homeboy from Muni near Arua Town in the former West Nile District. In 1955 he entered Arua Demonstration Primary School at Mvara. During the 1959 Primary Leaving Examinations (PLE),, he came top in the whole District and won a six year scholarship paid by the West Nile District Administration. In 1960, Mr. Lulua proceeded to Ombatini Junior Secondary School in Terego County for two years before joining Kings College Budo (1962 to 1967). In July 1968 he went to the University of Dar es Salaam to read Law which he completed in March 1971. He obtained a Diploma in Legal Practice in 1975 at the Law Development Centre, LDC Kampala. In 1977, he was enrolled as an Advocate of the High Court of Uganda. Mr. Lulua has worked with the Immigration Department as Visa Officer and also the Nyanza Textile Industries Limited (NYTIL) as Legal Officer in Jinja. He is now a private legal practitioner based at Arua. He has, in addition, lectured in Business Law at the National Teachers College Muni. Lastly, Mr. Lulua was responsible for drafting the Constitution of the Lugbara Literature Association (Motto: Angu Owu ‘Bo [The Darkness has Cleared now]).

“I began my private research in 1966 while I was a student at King’s College Budo … from written sources and by interviewing different elders during vacation … I wish to thank … Jason Avutia (Chairman of LULA), Nahor Oyaa Awua (Co-ordinator LULA), Donato amabua (Chairman Arua DLC), Silla Mua (Court Broker), Barakia Yiti (Vurra Elder), Yoramu Badrayi (Ombokoro Elder) … particularly most grateful to the Dutch N.G.O. CAP West Nile for the generous financial assistance to LULA … to my deceased father Mr. Elisa Oda son of Kurua of the Ombokoro – Andruvu Clan. He encouraged me to study local history as a hobby.

Introduction: This book is an abridged version of the results of a research undertaken for the last 30 years on the history of the Lugbara (Madi) … intended for the general reader … For a long time, the Lugbara were generally regarded as people without recorded history. As such they could not be proud of themselves. The same applied to the Madi (The Lugbara are ethnically Madi and not vice versa) … the Lugbara and Madi have a common ancestry. (The issue of culture brings four [or five] countries together – Uganda, Sudan, Zaire and Nigeria [plus Congo])
Another pioneer in the formation of LULA is Abeti S. Ledra (Bachelor in Education, Masters in Education [Makerere University Kampala] Educationist)

SOCIAL STUDIES: A number of scholars have studied Lugbara Society. They were mainly European. The first was Major C.W. Stigand, a British tropical administration in the service of the Sudan Government who visited the Lugbara between 1911 – 3. Next was Dr. Alfred Tucker, a British linguist with a mission to study Eastern Sudanic languages including Lugbara (1930 – 2). The Most Well Known Researcher in the past, however, was John Middleton, an American Social Anthropologist who came to Vurra in December 1949. He wrote many books and articles on Lugbara myth, religion and mourning taboos for 3 years. At the same time, an Italian Catholic Missionary Father J.P. Crazzolara was studying the language. In 1960, the Oxford University Press published his book “A Study of the Lugbara (Madi) Language. In their footsteps came several individuals especially academicians at Makerere University. Foremost among the dons were Dr. Shiroya and Professor Delfovo. Also called A.T, the professor compiled a Bibliography on the Lugbara people and of writings in the language. Lulua’s book is a humble contribution intended to be an eye-opener to the world. The next publication to follow it is “A General History of the Lugbara (Madi) – a more detailed and comprehensive study.

AWA’DIFO FEZURI (The LORD’s Prayer for Thanksgiving)

Ata amani ovupi ‘buari
Ru mini ma ovu inzizaru;
Suru mini ma emu;
E’yo mini leleri ma ‘ye I nyakua ekile buarile.
Mi fe etu ‘dosi nyaka andruni ama dri.
Mi ku mari amani, amani ‘ba afa amani nyapi ‘diyi ma mari kulerile
Mi ji ama obeta ma alia ku;
Mi pa ama ‘ba onzi dri.
Te suru pi, Okpo pie, diza pie,
Dria mini ‘dani ‘dani.

Amena!